Tag: Abstract art

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Abstract Art

Fairy Princess

FairyPrincess
Fairy Princess
Alex Hinders, 2012.
Colored pencil and pen.

This drawing represents a character from an old role-playing game. This game stuck out to me because usually RPGs are about a group of misfits who band together to save the world — this was a game about a bunch of people with questions, so they banded together to search for God. Most of the characters felt that either their way of life was wrong, or that their own existence was ‘wrong’, or unnatural. When you finally came across the entity that claimed to be the Goddess of that world you were actually given the choice of agreeing that your main character was an aberration, or challenge her and say that the hero was fine the way he was.

If you chose the first option, the Goddess demanded that the hero stay with her in her garden and live forever in isolation from the world. You watched a short montage of your character getting older, and then were shown a “The End” screen and the credits rolled. It was what the video game playing crowd refers to as a ‘bad ending’. If you chose the second option, and survived the ensuing boss fight, your character was free to live life as he wanted.
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I didn’t really realize why this came out of my mind until I started writing this post about this drawing. I really feel like I’ve experienced a similar quest in my lifetime — with perhaps organized religion or societal expectations standing in place for a faux-God. Before I decided that I had to go down the path in life that I’m currently on,  I was actually haunted by vision of myself getting a little colder and a little bitter every year — in the end all I saw was a cold dark monster that didn’t resemble me. I decided that such a path would be the “Bad Ending” of my life and decided that I should go down the other road — the one to set myself free.

The Fairy Princess herself ends up being the first true advocate for the main character, and through-out the course of the game her faith in him never wavers. I suppose the Fairy Princess in this drawing represents the part of me I stifled; the part that knew what was the right thing to do all along.

I was pretty young when I played that game, so some of its philosophical nature might actually be weaker than I remember. A few years ago I was able to get a pristine copy of the game but I’ve been terrified of playing it — what if my adult mind finds it shallow? Maybe I’ll get around to re-playing it one of these days.

On a side note, this drawing is part of a trilogy including Winter Grey and Casting Spells.

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Abstract Art

Dragon Twins

DragonTwins
Dragon Twins
Alex Hinders, 2011/2012.
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The Purple Girl told me about a story/series she was working on that was once going to be titled “Dragon Twins”. This drawing does not represent that story at all. It seems like it could be a set up for an awesome children’s cartoon or video game series, though. These two girls meet dragons — that are twins — living in this forest. So then they can summon their magical dragon friends whenever they want and…do stuff. Yeah. I think it would be great.

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Abstract Art

Winter Grey

WinterGreySmall
Winter Grey
Alex Hinders, 2012.
Colored pencil and pen.

 

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If you’ve spent more than few moments looking at my art you’ve probably realized that color is something important to me. It enhances my enjoyment of life, and it’s often needed to express myself in visual art. So to be deprived of color is a horrendous thing to me. I remember having to work with charcoal in that art class I took in class — I really couldn’t emotionally connect with what I was trying to draw, at all. It was all lifeless. Even when the lights and shadows were ‘dynamic’, the picture depicted was often just a lifeless world to me.

I also noticed that the second to last entries in both the Heroine and the Wizard used a lot of black, white, and grey. The Wizard was being confronted with a dark and dreadful battle against the Warlock, and so the land around him lost color; The Heroine was left with somber thoughts about how she’ll be remembered — her world was bleak and the brightly colored mis-told tales mocked her. When things get dark or intense in the world of my art, the color tends to get muted or fade away. Sort of like the real-world during the winter time, when I battle with The Winter.

One final note: This drawing was done on a slightly larger and higher quality piece of paper. It’s part of a trilogy, along with Casting Spells and Fairy Princess. (I’ll add a link to them once they’re uploaded.)

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Abstract Art Uncategorized

The Drifter

TheDrifter

The Drifter
Alex Hinders, 2012.
Colored pencil and pen.
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This drawing is dedicated to my mom and also served as her Christmas gift. It suits her, because she’s both a traveler at heart and a big fan of Westerns. She’s actually currently traveling across the West coast in her RV. Actually. I’m quite jealous — she’s managed to escape from Winter! As for the drawing itself, I think the train tracks represent how the Drifter is walking his own path. While trains might be ‘stuck’ to their tracks, the Drifter is not a train, and is free to lay new rails wherever he wants, and to take any fork or turn he desires.

 

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Abstract Art

Back Alley Swordstress

BackAlleySwordstress

Back Alley Swordstress
Alex Hinders, 2012.
Colored pencil and pen.
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The figure whose profile is hidden in the bricks is either the greatest nemesis of the Back Alley Swordstress, or her current enemy. She’s a sort of urban super-heroine that runs about the city at night with a sword meting out her idea of justice. The city she lives in has classified her as an Urban legend, but the police are aware of her existence — they think it’s better to keep her existance a secret than to encourage copy-cat acts. They view her as a rogue vigilante; the police would like to catch her as much as they would other criminals but are also afraid of getting on her bad-side.

 Though it might seem like that’s a pile of blood coming from the Swordstress I’m pretty certain that it’s just supposed to be her shadow, as red seems to be her color. I suppose it could also represent a hidden pain that she carries with her.

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Abstract Art

All of my Crushes (At the Same Time)

CrushJ

All of my Crushes (At the Same Time)
Alex Hinders, 2007.
Pen and computer.

This image supposedly contains every girl and woman I had crushed on up to that point in my life. I guess I’ll have to take my sub-conscious’ word for it; I can’t recognize who some of these are supposed to represent. I’m also not sure how ‘big’ of a crush it had to be in order to be included in the drawing — you know how when you’re younger sometimes a crush can last just a few days.
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I know for sure the green girl represent the Green Girl, who manifested as the mermaid in The Mermaid and the Sailor. I think all three of the green girls represent that individual and that she appears three times, each getting grander, to represent how much that crush grew over time. Even though I met and attempted to date other girls she had remained prominent in my mind and would always re-emerge — well, until the crush ended. I imagine that if I would have been more focused on my abstract art back then she would have appeared more often. Perhaps as often as the Purple Girl.

This is getting way off the subject here, but for trivia’s sake, I’ll reveal the origin of their names and why they’re based on colors. You see, the Green Girl really loved shades of green back in the day and in college I once had a dream where I only called her The Green Girl. Later on, the Purple Girl turned out to be even more enamored with purple than the Green Girl was with green.

When I appear in my drawings I often manifest myself in shades of blue, which coincidentally, is also my favorite color. I wouldn’t go so far as to refer to myself as “The Blue Girl”, however. I don’t really need a pseudonym like that since I can refer to myself without invading somebody else’s privacy.