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Abstract Art

Moving On

MovingOnSigned

Moving On
Alex Hinders, 2013.
Colored pencil and pen.
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I did this drawing just before moving into my new apartment a few months ago. I was feeling pretty optimistic about the future at the time. You’ll notice this drawing has an overall sense of balance, even though it’s asymmetrical in nature — this only adds to the optimism.

 

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Uncategorized

Enter New Friend

EnterNewFriend
Enter New Friend
Alex Hinders, 2013..
Colored pencil and pen.

The angel Clarence once said, “Remember, no man is a failure who has friends.” This particular angel wasn’t in the bible but rather the 1946 film “It’s a Wonderful Life.” Also, he nicked the quote from Mark Twain, so maybe I should I have started with that — but I figured a semi-divine figure held more weight. Maybe not.
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I like that quote. On the first examination it makes it seem as if the bar to being a success is set pretty low but as I get farther into my adult life I realize this is not true. I’ve also spoken with other adults in my life — parents, co-workers, and associates — and it seems to be a pretty common consensus that a good friend is a pretty rare find. Society really encourages us to act selfishly and to only engage in actions that benefit ourselves. People are rewarded for using people for their own means and back-stabbing others who help them along the way. Over time, these negative actions can make a person become bitter, and raise their internal defenses even higher — but this only makes friendship more elusive.

So if you have managed to build and maintain a quality friendship then you’ve actually accomplished something. It might seem a little over-dramatic to use the word ‘accomplish’, but that’s because we pretend having friends is easy, and because the concept of friendship is so devalued at this point anyway. It’s nice to be able to think to yourself, hey, I have a few good friends — at least I’ve done something right.

 

Categories
Abstract Art

Alex is Working on Her Art

AlexIsWorkingOnHerArt

Alex Is Working on Her Art
Alex Hinders, 2013.
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When I do my artwork I feel more in tune with myself and my feelings. The time I spend on creative projects is also the time when I feel most alive — it’s like my entire self is being utilized, instead of just a specific muscle or thought process. This drawing is a visual representation of what working on my art is like and what it means to me. I colored myself using the warm colors to illustrate how engaged I am and I used the cool colors on the abstract background to give a more magical feeling.

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Abstract Art

Flower Field

 

FieldofFlowers
Flower Field
Alex Hinders, 2013.
Colored pencil and pen.
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This drawing is one of those rare drawings where spatial distance comes into play, although it only seems to affect the two women, and not the flowers. The woman on the right is closer to the foreground of the drawing while the woman in blue is farther into the background. If the flowers were obeying the same rules as the two young women then the ones around the blue woman would be getting smaller and less detailed in the distance as well — but for some reason, they’re immune to spatial reasoning. They also don’t root themselves into any kind of ‘grown’ and float up the page without any horizon line to be relative to.

But I think the distance in this drawing exists for a thematic reason, besides being an interesting technical detail. The two women are looking towards each other, but due to the distance between them they aren’t actually looking each other in the eye. I think this represents some kind of mis-understanding, or mis-communication.

Note, also, that the scanner had trouble picking up some of the coloring details on this one. The colors are a bit different in reality.

Categories
Abstract Art

Rock That Body

RockThatBody1.jpg

Rock That Body
Alex Hinders, 2013.
Colored pencil and pen.

All went aces until our cardboard hero was confronted by Debra Burlingame, sister of the pilot whose order viagra plane crashed into the Pentagon. Some examples of latest technology used for cialis without prescriptions canada the treatment of ED and they are satisfied with its effects. Under the National Popular Vote scheme, discount viagra recounts would occur far less than under the present winner-take-all electoral system. These are a on line cialis normal body functions whose aim is to oxygenate the penile erectile tissue. This drawing represents the positive feeling of one-ness between the ‘self’ and the body. Our concept of the ‘self’ and consciousness are probably inseparable from our bodies, yet there are times when the two can feel at odds, like there is a great distance between them. They can also be in conflict, tearing each other apart — that’s a terrible thing to feel. That only goes to further underscore how wonderful a feeling of unity between mind and body can be.

Maybe you’re reading this and thinking of body self-acceptance. That’s certainly a part of it; the mind can get all sorts of notions of how its body is supposed to look and then start berating itself. But this drawing, and this feeling I’m attempting to chronicle, is more than just acceptance. After all, acceptance can be a form of resignation; a person can be resigned to the fact their body is the way it is, but not one with it.This feeling is more than acceptance — it’s integration.

This drawing is also now integrated with the website in that it’s the current background image. The Red Aether drawing was a good image for the winter but I felt like something with more energy was needed.

Categories
Abstract Art

Sheet Music

 

SheetMusic
Sheet Music
Alex Hinders, 2013.
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This drawing represents a song in some sort of ether-notation. I think that each of the shapes represents a type of note for a type of instrument. Also, I get the feeling that even though there are only three lines in this staff, the song is actually longer than that — three lines equals a page, and all of the pages overlaying each other. Wonder what kind of melody this would produce?

On a side note, this is one of several drawings I’ve done recently that have used a more complicated method of coloring. As a result they have a lot more texture and color depth to them and I’m having trouble getting my scanner to make faithful digital images of them.

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The Fairy Sequence

The Fairy Sequence, Pt. IV

FairyFour

The Fairy Sequence, Pt. IV
Alex Hinders, 2013.
Colored pencil and pen.
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The Warlock was in such a foul mood when he fled the scene that his guard was dropped. The Fairy was able to trail him back to a foreboding abandoned building at the very edge of the kingdom — this seemed to be where the Warlock had set up base for the time being. If she could be stealthy enough, the Fairy figured, she might be able to infiltrate the building and figure out exactly what the Warlock’s present scheme was.

The Warlock was infamous throughout the world. He wasn’t the sort of dark magician who dreamed of wide scale destruction and death — rather, he was the sort who reveled in chaos, and the upsetting of the natural order — which somehow nourished his ever-growing ego. Besides wanting to stop any potential crimes or threats, the Fairy was now getting curious at what the Warlock hoped to get from dabbling in transformation spells.

Categories
Abstract Art

The Crush of a Crush

CrushBCrushA
The Crush of a Crush
Alex Hinders, 2013.
Colored pencil and pen.

Both of the two drawings above are the same image flipped about. It’s one of those drawings where looking at it in different ways can alter its meaning. This drawing attempts to illustrate the lows and the highs of a crush — if you’re remember correctly, I have a funny habit of falling into those. I just can’t seem to help it; this seems to be a part of nature. I guess it’s a side effect of having a good deal of empathy.

Crushes can certainly be fun, which is emphasized by the warm colored lady  surrounded by circles — happy little sunbursts. The feeling gets compared to ‘butterflies in the stomach’, which is too abstract of a saying for me to understand. (I also don’t like to equate a crush with an insect infestation.) If I were to describe the feeling in a more concrete way, I’d say it was specifically a sort of energy that surges through your veins and across your body. It’s like an emotional caffeine high — your brain starts running at a faster pace, your pulse quickens, and you become giggly and stupid. Or at least I do.

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But then there’s the matter of the other lady in the drawing — a figure wrapped in cool colors and arrowheads all pushing towards the same point. There’s an old saying that, “The reason why they call it a crush is that’s how it feels if they don’t feel the same way.” I think, though, that the actual ‘crush’ of the crush comes more from the weight of carrying the crush itself.  A crush is in itself a burden, because it forces you to make a choice whether or not to act upon the feelings. How you respond to this choice can lead to all sorts of outcomes, including a romantic relationship, sexual intercourse, happiness, the destruction of a friendship, sorrow, and restraining orders.

So that saying I quoted defines a crush by one of it’s potential outcomes. But I don’t think that dreaded possible moment — the moment when you find out someone doesn’t feel the same way as you — is the ‘crush’, I think it’s the end of the crush. It’s the moment when all of the possibilities are whittled away until you’re left with the reality of the situation. After that, it’s not so much a matter of dealing with a crush or love as it is as matter of either accepting or denying the situation you’re now in.

Really, it’s a shame that we can’t find a more neutral word for ‘crush’. It would be like using the word ‘wreck’ in place of ‘plane ride’ or ‘plane trip’. Sure, your airplane could crash into the sea and everybody could die, but it seems rather cynical to refer to the entire action by it’s worst possible outcome. (“It’s only a three hour plane wreck to Vegas from here.”)

But at this point I think I’ve rambled enough about life and love. Safe travels, everyone!

Categories
The Fairy Sequence

The Fairy Sequence, Pt. III

FairyThree
The Fairy Sequence, Pt. III
Alex Hinders, 2013.
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The VooDoo King turned out to be the Crazy Duke– a member of the local nobility who had a limp grasp on the concept of reality. Despite this, he was never known to be a troublemaker and had a gentle nature. Obviously his rampage through the countryside had been a part of the curse. The Warlock appeared behind The Fairy — who had not even sensed his presence — and began to berate her. The curse that turned the Crazy Duke into a monster had been his doing and he was not pleased that his spell had broken so quickly. He fled the scene ranting about how difficult it was to gather the ingredients needed for the spell.

Categories
The Fairy Sequence

The Fairy Sequence, Pt. II

FairyTwo
The Fairy Sequence, Pt. II
Alex Hinders, 2013.
Colored pencils and pen.
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Not all magic users had the ability to sense curses; Only those keenly attuned to the natural state of the world can sense the subtle disturbances in reality they cause. The Fairy quickly deduced that the curse in place was a transformation spell mixed with a mild suggestion enchantment — which meant this was not the creature’s true form and that its mind was being manipulated. The Fairy started to cast a spell to un-do the curse; The VooDoo King did not understand what was happening and flailed about in confusion as he was engulfed in light.