Long Hot Bath

Long Hot Bath
Alex Hinders, 2015.
Colored pencil and pen.

This is a simple drawing illustrating the joys of a long and hot bath. An alternate title could be “Healing.”
Though that means there is none yet, it remains a positive statement for others who are waiting for the medication to go off patent buy tadalafil from india will join the fray and manufacture a generic version of this popular drug. Among the standard therapeutic techniques are:- Dental splint, a dental appliance placed in the mouth keeping the teeth in alignment and prevents tooth click here to find out more canada viagra cheap grinding. Because of this issue, the men are not ready to achieve the greyandgrey.com cialis uk essential penile erection that is required for sex with the maximum performance. Within the Responses Scheme, Neurofeedback in addition to Interactive Metronome together with Play Remedy offer viagra online ordering you useful purely natural medication programs need to by using ADHD.
This drawing uses two cool colors and their complimentary warm colors. Blue is my favorite color, and the color I usually use to depict myself. I almost chose red for the curtains, but this would have all of the warm colors in the picture and give the image a greater feeling of energy. It probably would’ve looked nice like that — but it just wasn’t what I was going for. In the end I decided to leave the bath tub white, as I felt I would have had to introduce another color for it. Using purple would have completely dominated the image in that color, and using blue would make the tub seem to be related to the figure inside of it. I wanted to make certain the person and the bathtub are two separate objects.

I should also mention that I’ve recently done a number of drawings that don’t have colored backgrounds. There’s actually an artistic term, horror vacui, which means ‘fear of empty space.’ It was originally applied to older art work that filled every inch of its space with detailed patterns and images. While I assume the word was invented with tongue-in-cheek intent, it does accurately describe the dilemma an artist faces when working on art. Is space left un-used evidence that the drawing is unfinished — or worse, is it evidence that the artist is lazy? Well, I’ve decided that at least for now, I’m not afraid of empty spaces.

For now.