Waiting in the Wings
Alex Hinders, 2013.
Colored pencil and pen.
It’s funny how the subject of a drawing can quietly slip away. .The purple in this angel’s coat isn’t really conspicuous enough to give it a bold distinction from the various shades of blue lingering around the drawing — it’s only a subtle division. If I had colored the coat in the same shades as the little crystals, then the coat would just be large blocks of color. If I hadn’t highlighted the wings, feet, and head of the angel then the main focus of the drawing would have disappeared in the wallpaper, so to speak; the angel would have been hidden.
I thought it was fascinating that if I wanted to I could have taken the focus out of the drawing. When I’ve got the outline of a drawing down the image is only half-way out of its quantum state — there’s still all of these possible color combinations competing for dominance. Then I choose a color scheme and all of the possibilities are peeled away leaving only the final product. I could do multiple different colorings of the same drawing if I wanted to, but as I’ve mentioned in previous posts, I don’t want to drag my feet on the same drawing forever — I’ve got a lot of things I want to do.
As for the meaning of the drawing, I suppose it would depend on how much my fascination with focus interacts with the actual image of an angel. If you just want to look at the angel — who seems to be imbued with both grace and patience — Then I suppose you could take it as hope existing in the background of our lives. If you read a bit more into the meta-stuff I’ve rambled on about then you could say this drawing is about how we often can’t see any hope but that it still exists. Or maybe this drawing is just a playful reflection on focus in art.
Maybe there’s no meaning at all. Ooo, that’s unsettling.