Category: Abstract Art

Wildebeest
Alex Hinders, 2011.
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Since most of the pictures in this update are darker ones I thought I’d end with a happy picture. This one doesn’t mean anything; this is just a silly picture of a Wildebeest befriending a golden bird.

Fallen Angel
Alex Hinders, 2011.
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Another one of my “Problems” drawings. The few people that have seen this one in person have mentioned that it’s quite unsettling. It might also just be me, but I think the posture of the Fallen Angel slightly mirrors how the Alien was half-turned and had a fist out.

But the Demons Insist
Alex Hinders, 2008.
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This is another “My problems” drawing; this one is from my computer coloring era. You’ll notice that my personal demons manifested themselves as literal demons — or perhaps ghosts — and they seem both patient and polite. At this point in my life my biggest problems were separated from me by a chunk of time but they were quite content to loom over me in the distance. As the time counted down they would draw closer, and closer, until the time finally came when they would be able to unleash their full wrath on me. This contrasts with the Alien and the Fallen Angel, both of which presented more immediate and physical danger to me.

Alien
Alex Hinders, 2006.
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This was drawn around the same time as Hinders Tree and Deadbeat Kingdom. I had just started to  take my abstract art seriously while attempting to survive my sophomore year of college at the same time. A question occurred to me — what would my problems and my stresses look like if I tried to give them an abstract form? So I concentrated on the problems of my life at the time and I started drawing lines. The end result looked like a sort of muscle-bound alien with a bad attitude. This concept of giving my problems a visual form is something that I would return to every so often in the future.

Two weeks ago I started work at a standardized testing company as a test grader. I can’t talk about it much as things are highly confidential – I may or may not have even seen security robots prowling the halls near closing time. I’ve been hired for two different projects and I’m hoping that I’ll be able to get onto even more in the future. The work itself is fun and the pay is great; best I’ve had thus far into life. Something even cooler is that the job even takes advantage of the fact that I have an English degree – how awesome is that? Don’t worry about the site. My new job shouldn’t affect this art-blog much; the only exception is that my updates are more likely to be on Sunday evening than on Fridays; it turns out I’m rather tired after a week of work!
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The River of Styx — Turmoil
Alex Hinders. 2011.
Colored pencils and pen.

The River of Styx — Woe
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Colored pencils and pen.

The River of Styx was one of five rivers that separated the world of the living from the world of the dead in Greek mythology. When people think of Styx it often brings to mind the ancient practice of putting a coin in a deceased person’s mouth so that they could pay the ferryman, Charon, to take them across the rivers and into the underworld proper. Those that couldn’t pay their fare were not allowed into the underworld and were left to just wander about just on the other side of death but not quite into the afterlife. (Technically Styx wasn’t on Charon’s route; Charon mainly operated on the Acheron.)

I’m pretty sure that these two drawings both represent me. At the time I did these drawings I had just accepted that my break-up with the Purple Girl was final; I had also just moved out of an apartment building I had lived in for a year. Before I wrote this post I had always wondered why I was crossing the River of Styx – after all, I was rapidly recovering from a long depression! I was more alive than I had been in years. But thinking about Styx as a divider between the living and the dead makes sense when you factor in my break-up. The break-up represented death and I was no longer waiting along the ‘dreary coast’ and was in the process of crossing into the next land.

The Mermaid, The Fish, and the Sailor
Alex Hinders. 2007.
Colored pencils and pen.

Unrequited love has got to be one of the most awful things in the world to experience. It’s not like anybody looks at a rational list of pros and cons and decides, “Yes, I think I will fall in love with this person.” It just sort of happens; love ensnares you. But sometimes love only snares one of two people. Instead of love becoming a sort of shared madness, a world which two-people co-inhabit, it becomes a glass cage in which one person can only look outwards at the person who cannot share this love.
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I met her my junior year in high school, in 2004; I had fallen in love with her before the year turned into 2005. I wasn’t freed of that unrequited love until 2009 although I didn’t even realize my freedom until the year 2010. It didn’t stop me from exploring other options and attempting to court other girls in the years between — but it also didn’t stop my mind from slowly wandering back to her after each new crush faded. Part of the cosmic injustice of unrequited love is that it’s nobody’s fault. It’s not her fault she had no feelings for me; she was a straight girl. It’s not my fault I had feelings for her. Sometimes I’ve wondered if it was my fault that the love didn’t leave me, but really, I would have been ecstatic if it would have left me. No rational person thinks to themselves, “Yes, I think it is in my best interests to remain hopelessly in love with someone I can never have.”

So in the end, the whole thing was just what it was; another random event in a universe ruled by chaos. Galaxies are born and die for no real reason and sometimes a person falls in love for that same random reason. Isn’t it wonderful?

Also regarding the drawing: I was the sailor, she was the mermaid, and the red fish was the boy she was in love with. I wish I had a higher quality scan of this drawing. I’ll have to hunt down the original someday, if it still exists.