Molecular Incohesion
Alex Hinders, 2012.
Colored pencil and marker.
I like bold outlines in my artworks and in my cartooning; there’s something visually quite pleasing about it. It ‘contains’ things. It boldly says, “The things within this boundary are all inter-related to one another and form a whole.” I noticed in the first decade of the 2000’s that a good deal of cartoons were tossing aside this black line and instead just letting the end of a certain color to be it’s own boundary point. It bothered me that in these cartoon worlds the boundaries between the background environment and objects, the characters, and all of the elements that made up the characters were getting blurred. While I could easily make the distinction myself without getting confused, that harsh distinction simply wasn’t there.
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I bring this up because when I’m feeling philosophical I often like to think about how there’s no outline to the molecules that make ‘us’, and the rest of the universe. These molecules that make us — eventually they’re clashing side by side with the molecules that make up the air and the world around us and we’d be hard presed to pinpoint where that line is. That fine line is constantly changing, anyway, so it wouldn’t do us any good to point it out. In a larger and broader sense we sort of have that problem with the planet Earth itself — eventually our upper atmosphere thins out into into outer space.
Now I don’t pretend to be the first person to have thought of any of these things; people way smarter than me have explored this idea before. But it is something that shapes my view and my understanding of the universe. Looking at the universe through this lens is both comforting and unnerving. It is comforting in that it connects us with the rest of the universe and gives us a greater sense of self; it is unnerving in the sense that it almost robs us of our sense of individual being.
Regardless if it’s liberating or diminishing, this drawing has black outlines around the body and hair of an individual woman. Unfortunately, this woman’s molecules have come undone and are floating about here and there. In the negative space between the peices there are sub-outlines that define a block of color and further confuse things. Is she wearing a purple dress, or are her peices simply floating in a purple void? Does my use of outlines say something deeper about how my mind works? Who knows. Please Enjoy the pleasant confusion of disconnectedness in this drawing.
